Rebel Wilson called ‘f**king nuts’ in crisis PR firm texts, court told
Rebel Wilson has been called “f**king nuts” in text messages from a crisis PR firm she is accused of ordering to create “take down” websites about the producer of her directorial debut, a court has been told.
The site posted unfounded allegations that the producer, Amanda Ghost, was the “Indian Ghislaine Maxwell” who needed to be “exposed for the evil that she is”, court documents state.
Australian actor Charlotte MacInnes, the lead actor in Ms Wilson’s directorial debut The Deb, is suing Ms Wilson over a series of social media posts allegedly made by the Aussie star.
The case hinges on allegations by Ms Wilson that the younger actor claimed she felt uncomfortable after a sunset swim at Bondi Beach with one of the film’s producers Ms Ghost, and a subsequent bath they took at the producer’s penthouse apartment in September 2023 while they were both wearing swimmers.
Ms MacInnes has denied making such a complaint, with Ms Wilson alleging the younger actor lied by doing so to get a record deal and a role in another of Ms Ghost’s productions.
The Bridesmaids star was described as “f**king nuts” in text messages read out during the second day of Ms Wilson’s nine day defamation trial in the Federal Court in Sydney on Tuesday.
The text was between employees from the public relations firm The Agency Group (TAG), which Ms Wilson allegedly hired in July 2024.
Ms Wilson is accused of ordering the firm to create attack websites against Ms Ghost, including a site called amandaghostsucks.com, which posted unfounded allegations that the producer was a sex trafficker, according to court documents.
“We won’t stop. We’re in this until Amanda Ghost is exposed for the evil that she is. As the Indian Ghislaine Maxwell, she trades on pleasure for protection,” was allegedly posted on the website, according to documents tendered to the court.
“Failing in music she turned full pimp, reinventing herself as a theatrical producer alongside her husband while really procuring young women for the pleasure of the extremely wealthy.”
Melissa Nathan of TAG had told another employee, Katie Case, that the sites “can be really really harsh” according to text messages tendered in court documents.
A voicemail from a social media contractor who worked for TAG, Jed Wallace, was played to the court on Tuesday, appearing to plan out the need to “create a path where we expose Amanda Ghost”.
“We can’t just do ‘she’s a b***h she sucks’ it’s like gotta be really really heavy and connected to something that heavy,” Mr Wallace said in the voicemail.
Ms Case dialled into the court from New York via an audiovisual link on Tuesday where she described it as a “whistleblower” website, with the court told she had texted a friend calling it a “take down website” and saying “lol I helped write it”.
She agreed with Justice Elizabeth Raper that there was no actual whistleblower, the site was just created to appear that way.
Ms Case said she was tasked with editing a draft copy of what would be published on the website she had received to be “punchy” and to “incorporate language from Jed’s voice note” into it before sending it back to Ms Nathan.
While she was not aware of who wrote the draft at the time, she later discovered it was authored by Ms Wilson’s production company Camp Sugar.
She agreed with Ms Wilson’s lawyer Dauid Sibtain SC that someone else could have written the document and named the author as Camp Sugar.
Mr Sibtain on Monday claimed the “websites are a distraction”.
“The critical issue is that Ms MacInnes did in fact make a complaint to Ms Wilson. She did. And then realising, understanding that that would be fatal to her career if she maintained that complaint, she withdrew it … and she denied that she ever made it,” Mr Sibtain told the court on Monday.
Fears alleged complaint could ‘blow up’
Theatrical producer Carmen Pavlovic said she felt her friend, Ms Ghost, was angry and upset with Ms MacInnes following the alleged complaint.
The pair caught up at the ritzy Bondi restaurant Icebergs a week after the bath incident, where Ms Ghost told Ms Pavlovic that she and Ms Wilson thought the young actor may have been “trouble making”.
“Amanda also had told me that she’d been in a recording studio (following the alleged complaint) and she’d been so upset and angry with Charlotte she couldn’t even look at her,” Ms Pavlovic told the court on Tuesday.
She also recalled her friend telling her the young actor was “in tears” at the studio, likely because Ms Ghost had changed her behaviour towards her.
Ms MacInnes had been staying at the producer’s penthouse apartment in Bondi with another member of the film’s team but had been asked to leave after Ms Wilson told Ms Ghost about the alleged complaint.
Ms Pavlovic said she “was concerned things could blow up if they weren’t properly clarified” and urged Ms Ghost to push for a formal investigation.
A meeting with Ms MacInnes was later held by another film producer, with Ms Ghost telling the theatrical producer she had been able to “clear the air” with Ms MacInnes afterwards.
“(Ms Ghost) told me that … Charlotte did not have concerns about what transpired … there’d been some sort of misunderstanding, but Charlotte was okay,” Ms Pavlovic said.
The trial continues.
DOCUMENTED REFERENCES
Exploring Documented Records
Public interest in the Epstein case continues not only because of court proceedings and testimonies, but also due to the growing body of documented records that help researchers and readers understand the broader context. Beyond legal files and media reports, some independent projects have organized publicly available data connected to Epstein’s activities.
One example is a structured archive of documented Amazon order records, where purchases are cataloged with dates and product details. While individual items do not prove wrongdoing on their own, examining documented information alongside established facts helps paint a clearer picture of the environment and circumstances surrounding the case.
For readers looking to review primary-source style data rather than interpretations, exploring compiled records can provide additional context to the broader discussion.